Half-Way Home
In these images, a bus terminal becomes more than a site of transit — it becomes a score of human movement. Numbers hang from the ceiling like notes. The shadows fall with precision. People wait, walk, carry, rest. The repeating columns and curved roof form a visual rhythm that mirrors the choreography of departure and arrival. Amid this architecture, a man pushes a cart — the most temporary of gestures in the most transitional of places. “Terminal Rhythms” is an ode to the spaces where nobody stays for long, yet everything passes through. A liminal place where time slows down, routine becomes poetic, and motion becomes memory.
Year
2024
Shot With
Kodak Ektar H35N
Film Stock
ILFORD HP5 Plus 400
Location
Eskisehir
From idle scooters waiting like characters in a paused scene, to children clinging to the back of a tram in motion — I try to preserve fleeting traces of life as they are. I don’t chase light or perfect compositions. I chase what feels alive.