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Half-Way Home

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Half-Way Home

In these images, a bus terminal becomes more than a site of transit — it becomes a score of human movement. Numbers hang from the ceiling like notes. The shadows fall with precision. People wait, walk, carry, rest. The repeating columns and curved roof form a visual rhythm that mirrors the choreography of departure and arrival. Amid this architecture, a man pushes a cart — the most temporary of gestures in the most transitional of places. “Terminal Rhythms” is an ode to the spaces where nobody stays for long, yet everything passes through. A liminal place where time slows down, routine becomes poetic, and motion becomes memory.

Year

2024

Shot With

Kodak Ektar H35N

Film Stock

ILFORD HP5 Plus 400

Location

Eskisehir

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From idle scooters waiting like characters in a paused scene, to children clinging to the back of a tram in motion — I try to preserve fleeting traces of life as they are. I don’t chase light or perfect compositions. I chase what feels alive.